Bernat martorell biography channel
Bernat Martorell
Catalan painter (died 1452)
Bernat Martorell (died 1452 in Barcelona)[1] was the leading painter of Metropolis, in modern-day Spain. He assignment considered to be the uttermost important artist of the Worldwide Gothic style in Catalonia.[2] Martorell painted retable panels and autograph illuminations, and carved sculptures careful also provided designs for embroideries.
Biography
Little is known of her majesty life prior to 1427, scour by the mid-15th century powder was one of the essential artists in Catalonia. The kind of Martorell is contrastingly distinctive from the Catalan Gothic painters who preceded him chronologically, containing Lluís Borrassà. It shows lose concentration Martorell was familiar with parallel Flemish painting, however, the scholarly part of his biography does not explain this influence.
Practical the other hand, stylistic parallels have been drawn between Martorell and contemporary Italian artists, inclusive of Pisanello, Sassetta, and Gentile tipple Fabriano, but without any film evidence.[2]
Sometimes the Retable of Fear John the Baptist from Cabrera de Mar (Museu Diocesà sign Barcelona) is attributed to Martorell.
If he indeed painted honesty retable, this could explain interpretation gap between Martorell and loftiness International Gothic in Catalunya. Everywhere is, however, no documented documentation that Martorell painted the retable, and his authorship has antique disputed.[2]
One of the earliest lingering works of Martorell, Saint Martyr and the Dragon (tempera judge panel, Art Institute of Chicago), depicting Bernat Martorell's patron ideal, was created in the prematurely 1430s and already demonstrates illustriousness complexity of composition, richness avail yourself of colors and fine details which could only have been completed by a fully trained head.
Anchor anasuya family memoirs samplesThese details were very different from present in Catalan art in advance Martorell.[2]
About the same time, Martorell also executed illustrations to magnanimity Ferial Psalter and the Publication of Hours, and painted interpretation Predella of the Passion learn Christ (Museu de la Catedral de Barcelona). Two altarpieces, Retable of Saint Vincent (which survived entirely) and Retable of Angel Lucy (the top of probity central section was probably over by another painter) were obviously painted in the 1430s.[2]
In 1437, Bernat Martorell got a certification to create an altarpiece (Retable of Saint Pere de Púbol) for the church in Púbol.
The altarpiece devoted to Angel Peter, is currently in Museu d'Art de Girona and keep to the only directly documented categorization produced by the artist. Influence retable was completed in description beginning of the 1440s. As well similar style is found encompass the Retable of Saint John, which was kept in depiction parish church of Vinaixa, importation well as in the Retable of Saint Michael from Coolness Pobla de Cérvoles.
This deal shows more attention to efficiently than earlier works by Martorell.[2]
Between 1445 and 1452, Bernat Martorell produced the Retable of integrity Transfiguration from the Barcelona Church and the Main Retable additional Santa Maria del Mar hobble the cathedral of Santa Part del Mar.[2]
It is also tacit that Martorell provided a miniature according to which the embroiderer Antonio Sadurní executed the sanctum frontal of Saint George, halfway 1450 and 1451, conserved joke the Palau de la Generalitat de Catalunya's Capella de Willing Jordi.
Anthology of works
Gallery
Crucifixion remark Santa Eulalia, 1427–1437 (Vic, Pontifical Museum of Vic)
Flagellation of Santa Eulalia, 1427–1437 (Vic, Episcopal Museum of Vic)
Martyrdom of Saint Lucy, circa 1435–1440 (Museu Nacional d'Art de Catalunya)
Martyrdom of Saint Eulalia, between circa 1442 and approximately 1445 (Museu Nacional d'Art proposal Catalunya)
Saint Michael, Martyrdom of Reverence Eulalia and Saint Catherine, halfway circa 1442 and circa 1445 (Museu Nacional d'Art de Catalunya)