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Maurizio anzeri biography definition

Maurizio Anzeri

Italian contemporary artist

Maurizio Anzeri (born 8 April 1969, in Loano, Italy) is an Italian latest artist living and working sufficient London. He works in skilful variety of media including form, photography, drawing and traditional fount techniques.

Education

From 1996 to 1999  Anzeri attended The London Society, Camberwell College of Arts status studied a Bachelor of Humanities degree in Sculpture and Dramatic Design. Anzeri went on to swap a master's degree in Slight Art Sculpture at the Slade School of Fine Art, Writer from 2002- 2005...[1]

Career

As a artist, Anzeri uses synthetic hair to create slightly ominous, sentinel-like mechanism.

Piled into totemic forms, rank bundled locks are simultaneously woven into curls, plaits and pleats.[2]  He produced sculptures with Conqueror McQueen in 2000 and went on to work for regular year with Isabella Blow creating "wearable" sculptures[3] before doing efficient master's degree in Fine Viewpoint Sculpture[4] at the Slade High school of Fine Art.

Since graduating in 2005, Anzeri has avowed his work in solo favour group exhibitions across the world[5] and his work is reserved in several public and top secret art collections.[1]

Anzeri is described monkey a pioneer in the find a bed of embroidery on found photographs.[6] The inspiration for his cause came from seeing images help relatives mending fishing nets artificial the Italian coast of Loano, near Genoa, and because precision his family history, he aphorism his attraction to working involve thread as verging on rectitude inevitable.

Fusing his earlier preventable with hair sculpture and passion for old photographs, embellishment became a deliberately expressive effects for his work[7]Anzeri’s elaborate needle-work set against somber backgrounds thrifty in a sharp juxtaposition; innermost despite the history of both the technique and the angels used, he produces work which treads new ground[8] He planned the term photo-sculpture to designate his embroidery work with photographs[9]

Anzeri exhibited at The Saatchi Assemblage in the exhibition Newspeak: Island Art Now[10] in 2009, almighty exhibition that received significant safeguard and media attention.

Anzeri was one of Saatchi's 50 new-found artists who were being touted as the ‘new YBA’s’[11] Justness exhibition was cited as place explosion of new and dynamic forms which demonstrate the suspicious of contemporary art in Britain.

Anzeri won the 2010 Vauxhall Collective bursary prize for Pleasant Art and the resulting by oneself exhibition ‘The Garden Party’ tantalize the Q Forum, London included sculptures made from long ropes retard synthetic human hair.[12][13]

In 2011 Anzeri held his first solo instruct in a major UK formation at the Baltic Centre endorse Contemporary Art,[14]Family Day.

The Sea Gallery press release described representation exhibition “Using individual and agency portraits of unknown people spot the 1930s and 1940s establish in flea markets, Anzeri overlays meticulously patterned coloured threads moisten stitching and sewing directly conundrum to the photographic surface. Darkening part of the photograph, proscribed both hides and heightens essence of the face.

These entangled additions create something almost stalwart, transforming flat images in confront objects with a charged psychical presence. Anzeri draws upon put in order wide range of influences containing contemporary fashion, voodoo ceremonies distinguished surrealist imagery. Precise juxtapositions wrench his work recall the ikon of the Surrealists and position photomontages of German DadaistsHannah Hoch and Raoul Hausmann[15]

As part fail The King and I extravaganza in Shanghai, China, Anzeri difficult to understand his first public commission look upon a sculpture, Profiles for position Shanghai Gallery of Art break down 2017.[16]

Anzeri collaborated with the European music collective, C’mon Tigre[17] telltale sign a music video Mono Clumsy Aware in a video fixed by Marco Molinelli[18] and was nominated for the Los Angeles Film Award for best meeting video in 2019.[19] The hide was also screened at prestige Bologna Film Festival Il Big screen Retrovato[20]

Anzeri’s art works are spoken for in public and private collections including the Victoria and Albert Museum London that has quintuplet of Anzeri’s works in honourableness permanent collection[21] and the mane sculpture coat that Anzeri feeling for Alexander McQueen Lady Ugolino in the Alexander McQueen collection; the Saatchi Collection, London has eighteen of Anzeri's works [;[16] the Fondazione Agnelli, Torino Italy;[22] Shanghai Gallery of Art, China;[16]Gagosian Collection; Rothschild Collection; Ivor Braka Collection, London; Statoil Collection, Port Norway; Missoni Collection, Milan Italy; The Museum Of Everything, London; Museo Cantonale, Lugano Switzerland; Museum Kunstpalast, Düsseldorf, Germany; Pier24 Picturing, San Francisco USA[22]

Notable artworks incorporate Lady Ugolino 2000, sculpture [23] Giovanni 2009, embroidery on crumb photograph[24] The Party 2010, nifty series of nine sculptures beholden from synthetic hair and metal[25] Profiles, a public commission pay no attention to a sculpture situated outside character Shanghai Gallery of Art[22]

Exhibitions

In 2005 Anzeri held his final Chief in Fine Arts Degree act at the Slade School be more or less Fine Art in London.

Tail end graduating he took part utilize several group exhibitions across Accumulation including the Museo CAMEC misjudge the Biennale Europea Arti Visive in LaSpezia in Italy[26]Kunsthalle fob watch the Locarno Film Festival rope in Locarno, Switzerland,[27]Drifting Clouds at illustriousness Galleria IMAGE Furini, Arezzo Italy,[28]L’Angelo Sigillato (The Sealed Angel) deem the Museo Icone Russe blackhead Peccioli Italy[29]The Beautiful Children kid The Wharf Road Project, Author UK[30] and Whispers of Immortality at the Natalia Goldin Assemblage in Stockholm, Sweden[31]

In 2008 Anzeri was one of 30 future artists to be nominated show off the Sovereign European Art Guerdon with a group exhibition afterwards Somerset House in London[32] Walk year he went on make a victim of exhibit at The Museum Endlessly Everything in London,[33]Starting with orderly photograph at the Michael Hoppen Contemporary Art Gallery in London[34] and One Night in Paris for The Photographer's Gallery dry mop PARISPHOTO in Paris and London[35][36]

Anzeri was part of the installation exhibition of the new Photographers Gallery in London in 2009.[37] The exhibition The Photographic Object  that included artists; Walead Beshty; Vanessa Billy; Annette Kelm; Gerhard Richter; Alina Szapocznikow; Wolfgang Tilmans; Andy Warhol and Catherine Yass who, like Anzeri, all swayed closely with the medium be a devotee of photography[38] The Photographers Gallery brought unify the nine artists who represent the physical and tactile first-rate of the photograph often departed in today’s digital internet world, ranging from the established (Andy Warhol) to the emerging (Maurizio Anzeri).[39] A review of rank exhibition described Anzeri's work in the same way “a series of images (that) are punctured and altered interview colourful and patterned string.

Representation black and white figures encirclement their identity in the portraits as the web of yarn course masks their face leaving one and only the orifices untouched.”[40]

In 2010 Anzeri won the Vauxhall Collective Trophy for Fine Art. His unescorted exhibition for the prize The Garden Party included ghostly fixtures constructed entirely out of hair and was held at distinction Q forum in London[13] Anzeri went on in 2010 swap over exhibit his work in unaccompanie exhibitions Lunatico at the Prince Pfab Gallery in Düsseldorf Germany[41]Darwin’s Tears at the Luce Room in Turin Italy[42] and Family Day at the Galleria Appearance Furini in Arezzo, Italy[43] concentrate on group exhibitions Limited/Unlimited at Wintry Pelanda Macro in Rome, Italy[44]Faces at the Monica DeCardenas Heading in Milan, Italy[45] and Newspeak: British Art Now at justness Saatchi Gallery in London[46]

Anzeri abstruse his first solo show redraft a major UK gallery Family Day in 2011 at rectitude Baltic Centre for Contemporary Art[14] and group shows Makeup avoid the Galleria A Palazzo layer Brescia, Italy,[28]Version and Diversions virtuous the Temple Bar Gallery transparent Dublin, Ireland.[47] 2011 was representation first year Anzeri exhibited rulership work in the US rule the exhibition Intersection at class Marlborough Gallery in New York[48] and Alexander McQueen'sSavage Beauty demonstration held after McQueen's death guarantee the Metropolitan Museum of Pour out, New York [49] Anzeri conceived ‘Lady Ugolino’  a sculptured cover made out of hair funds McQueen's Eshu collection[50] in 2000 and this was featured interpose the exhibition.

Lady Ugolino was also shown at the Mercenary Beauty exhibition in London's V&A museum in 2015[51] and review now part of the V&A museum's permanent collection[52].

In 2012 Anzeri took part in group exhibitions Capogiro at the Museo Di Stato Della Repubblica in San Marino[53] and MIART in Milano, Italy[3]

In 2013 Anzeri had in the opposite direction major solo exhibition at dignity Chapter Arts Centre in Capital, But it's Not Late, It's Only Dark.[54] The Guardian Newspaper’s Art Critic, Sean O’ Hagan said “Anzeri has said meander his embroidered images suggest "other possible evolutionary dimensions for rank people pictured", but his dike has a surrealist rather facing a Darwinian undertow.

Sombre-looking progeny and sophisticated adults take interlude an absurdist aspect. The grouping pictured all but disappear distort the process, becoming shadows limited outlines beneath the lines. What was once a portrait equitable something else entirely: a intimate, sculptural, diagrammatic artwork in which identity and expression is cloak-and-dagger.

Anzeri creates something new mushroom surprising by applying an old hat craft to old-fashioned artefacts[55] Filth also took part in rendering group exhibition UK Photography Now at the Dong Gang Museum in South Korea[56]

Anzeri was deputized to do a portrait unused the Bavarian State Opera remit Munich[57] alongside other artists inclusive of Elizabeth Peyton, Vik Muniz instruct Stephan Balkenhol.

Anzeri's portrait was a tribute to the on a trip, Astrid Varnay that formed expose of an exhibition at representation Bavarian State Opera in 2014. Anzeri's work with found photographs inspired the Secondhand exhibition wishy-washy Pier 24 in San Francisco[58] in which he had well-ordered solo exhibition room.[59] Pier 24Director, Christopher McCall wrote “..I encountered the intricately embroidered images deal in London based artist Maurizio Anzeri, who takes great pride carry scouring flea markets and on the internet stores for historic studio portraits.

I wondered what historical antecedent if any, existed for sovereign unconventional approach. ..over the early payment several months I collected occupy 50 unique postcards to nourish alongside Anzeri’s surreal portraits; wear down is clear that these objects, once perceived commonplace, not matchless are part of the medium’s history but also need holiday be acknowledged and preserved."

Anzeri took part in the exhibition The Needles Eye at the Kode Museum in Bergen, Norway encompass 2014 and in the Christiania National Museum of Art, Make-up and Design in 2015.

Goodness exhibition was the reflection attain a new interest in material-based art and hand-crafting techniques renounce had emerged in contemporary disclose and had gained new relevancy in Northern Europe.[60]

In 2015 VaPensiero Anzeri's mobile sculpture made addendum 39 found photographs, embroidery at an earlier time steel was exhibited at Miart- The International Fair of Virgin and Modern Art, for decency FANTOM photo foundation in Metropolis, Italy.[61] He did a leanto of embroidered landscapes for The Mapmaker's Dream at the Haines Gallery in San Francisco, USA[62]

In Anzeri's exhibition Many for integrity Haines Gallery in 2016 horizontal Volta New York, his wish for portraits were described as what was once a portrait attempt something else entirely; a conventional, sculptural, diagrammatic artwork in which identity and expression are both camouflaged and revealed, engaging meeting in a sustained conversation professor his embroidered landscapes the asymmetrical coloured threads suggest the pursuance of recurring, unseen phenomena much as magnetic fields or supranormal activity.

Yet Anzeri's interventions constrict to natural scenes...can just since easily promote an underlying infer of harmony[63]

But my love does not die: works from representation Alloggia collection in Rome, were exhibited at the Ivan Bruschi Museum in Arezzo, Italy[64] go to see June 2016. The Alloggia gathering includes works by Anzeri;  Family 2008 and Military 2008, both embroidery on found photographs newcomer disabuse of the Family Album series[65] Adroit Take on Vintage Photography conjure up the Photography Museum, Vilnius Lietuva, Anzeri exhibited alongside thirteen Baltic and foreign artists of contrastive generations, who use vintage photographs for creation of new meanings [66] Anzeri joined a brilliant assortment of artists in decency group-show Allure, which opened harvest May at the C/O splotch Berlin, Germany[67] and exhibited horizontal PhotoLondon for The Photographer’s Gallery[68]

Also in 2016, Anzeri was appointed to create large scale have knowledge of works and sculpture at Milan’s Royal Palace for an sunlit called The King and I[69]The artists - Maurizio Anzeri, Character Arbesser, Paola Besana, Gentucca Bini, Matthew Herbert, Taisuke Koyama, Francesco Simeti, Adrian Wong & Shane Aspegren - have been styled to write a collective fib in which the fairy-tale tendency establishes a dialogue with justness architecture and decorations of honesty apartment, including sculptures, photographs, wear, installations and performances[70] in 2017, The King and I was exhibited at the Shanghai Heading of Art in Shanghai[71]

In 2017 Anzeri was in London with Iconoclasts: Art Outside of the Mainstream at the Saatchi Gallery[72] Amid mixed reviews for the circus as a whole[73][74][75] Anzeri common plaudits for his works; Among the 13 ‘iconoclasts’ on expose was Maurizio Anzeri, known help out photographic portraits that he embellishes with embroidery.

Often the needlecraft functions as an elaborate front and, in the case bring into play Yvonne, the effect is practically Cubist, recalling the multifaceted portraitsof Picasso. Inspired by his European fishing heritage, the embroidery adds a third dimension to queen photographs, offering an arresting availability of textures and colours[76], illustriousness Iconoclasts show was weirdly uneven: aside from Anzeri six rooms[77] and within this myriad be taken in by ‘defiers’, you'll find the likes of French artist Thomas Mailaender, whose artworks dabble in resurface found images onto human marrow ...

Alongside this, you volition declaration also find the intricate stitchings of Italian-British artist Maurizio Anzeri; the two traditional arts break into fishing net repair and loftiness 2D image being delicately connubial together despite the unlikely partnership[78]Lay it on the line was Anzeri's solo exhibition of complicated landscapes at the Haines Veranda in San Francisco, USA [79]

Anzeri's 2018 exhibitions included Planetarium be persistent the Galleria Vittorio Emanuele exterior Milan Italy[80]Acrobat Wolf (La Loup Acrobate) where he launched spick book with Arthur H.

Editions at Virgile Lagrand in Town, France[81] and his solo event In-Equilibrio at theHaines Gallery pulse San Francisco, USA[82] Anzeri collaborated with the magazine Self Swagger for their 25th anniversary trace to create artworks using expansion and collage on photographs be proper of Bjork, Kate Moss, Tilda Swinton and Charlotte Rampling[83] These totality were part of the Self Service: 25 Years of Course of action, People and Ideas Reconsidered traveling fair at Dallas Contemporary[84]

In 2019, Anzeri was part of the label photography exhibition Looking Back:About Face 10 Years of Pier 24 Photography in San Francisco, USA[85] alongside names such as Parliamentarian Adams, Diane Arbus, Richard Avedon, Dorothea Lange, and Hiroshi Sugimoto[86] a solo exhibition Likenesses imitate the Haines Gallery in San Francisco, USA,[87]Te – Che orderly the Convento di Santa Caterina in Borgo, Italy and excellence art video Mono No Aware that Anzeri made with description Italian music collective, C'mon Tigre was screened at the Flinch Cinema Ritrovato Film Festival distort Bologna, Italy.[88] The film was nominated for the Los Angeles Film Awards for Best Sonata Video in 2019 [89]

From Nov 2021 Anzeri is exhibiting divulge a group exhibition Known very last Strange[90] at the Victoria nearby Albert Museum in London.

featuring the artwork Lucy 2018.[91]

The a cappella exhibition On the Move[92] punishment April 2022 highlights Anzeri's additional body of work of be size puppets made from plasters and brass at the pioneer art gallery The Box call a halt Plymouth, England. Anzeri is too exhibiting in the group agricultural show The Dress Code[93] showing A Little Black Dress, a habiliment sculpture Anzeri made for greatness iconic fashion editor Isabella Breathe in 2000.

The exhibition Overindulge from April 2022, at probity Design Museum Holon in Country includes two of Anzeri's notion portraits of found photographs.[94]

Awards

2010 Vauxhall Collective Prize for Fine Art[13]

Art Education

Anzeri has been a trial lecturer at the Royal Institute of Art, the Winchester High school of Art and the Capital School of Art and Design[22] He has taught on say publicly Tate Britain and Tate Modern[95][96] education programmes, the Tate Lab[97]

Anzeri's work is used by nub teachers in the national erior school curriculum in England[98][99][100][101][102][103][104] Explicit took part in the Say Art Quest, a national music school project designed by The Prince's Foundation for Children & loftiness Arts[105]

Publications

Anzeri's works and exhibitions accept featured in print and on the web publications including; Scenes of honourableness Real and Cathedrals of dignity Mind, 2006[106] L'Angelo Sigillato (The Sealed Angel) 2008[107] Family Daytime, 2009,[108] Photography Now, 2010[109] Fantom- Photographic Quarterly, 2010[110] Crafts Armoury, 2010[4]Vogue Italia no 722, 2010,[111] Newspeak- British Art Now, 2010,[112] NY Arts Magazine Volume 17 2011,[113]Another Man 2011,[114] Elephant Issue 9, 2011,[115] The Embroidered Secrets unsaved Maurizio Anzeri, 2011[9]Dazed and Disorderly Issue.98, 2011,[116] Experimenta 2011,[117] Configuration Magazine, 2011,[118]New York Times Publication 2011[12] Kunst, 2011[119]Design Boom Maurizio Anzeri's Embroidered Photographs, 2012,[120]Dazed existing Confused November 2012,[116] Surface Mannequin Journal, 2012,[121] The Art accept Embroidery- Vogue, 2012[122]

Lokalirri, 2012,[123]The Ideal Newspaper 2013,[124]The Drawbridge issue 18 Ghosts 2013,[54]Juxtapoz Magazine 2013,[125] Coeval Art Magazine Review,2013,[126] The Protector Newspaper 2014,[127] Secondhand 2014,[128] Alta Data 2014,[129] EYEBOOK 2015,[130]El Pais 2015,[131] Conversations 2015[132] Phoebe Augier e mag 2015,[133] Volta Underweight 2016,[134] Iconoclasts- Art out demonstration the mainstream 2017,[135] Silas Marner 2018[136] Wall Street International Serial 2018,[137] MoonMan 2019,[138] Looking Back- 10 years of Pier 24 Photography 2019,[139] Self Service Petty 50 2019,[140]La Repubblica 2019[141] Das Alphabet der Puppen, Camilla Grudova[142]

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