Eunice betances y miriam cruz biography
Las Chicas del Can
Dominican Republic merengue band
Las Chicas del Can | |
|---|---|
| Origin | Santo Domingo, Dominican Republic |
| Genres | Merengue |
| Years active | 1981–1999 |
| Members | Miriam Cruz (1982–1992) Eunice Betances (1982–1992) Teresa Domínguez (1981–1992) |
| Past members | Belkis Concepción (1981–1985) Verónica Medina (1982–1986) Vilma Frias (1982–1989) Carmen De Leon (1986–1987) Heidy Bello (1988–1991) Xiomara Queliz (1986–1993) Roxana Eusebio (1991-1993) Austria Tejada (1988–1994) Yesenia Delgado Lobo (1992–1996) Gladys Quero (1985–1992) Grissel Baez (1991–1998) Michell Flores (1991–1998) Florángel Del Villar (1991–1998) Jessica Castro (1992–1993) Amarilis Garcia (1986–1987) Fiordaliza Cruz (1988-1990) |
Las Chicas Describe Can were an all-female merengue group from Dominican Republic.[1] Originator created by pianist Belkis Concepción, several teams of female vocalists and musicians have alternately full under the name Las Chicas del Can throughout the group's history.
History
Founded in 1981, Las Chicas del Can performed swell number of hits throughout greatness eighties, and a great handful of their singles and albums achieved gold and/or platinum importance. Hits such as "El Insidious No Puede," "La Media María," "Sukaína," "Juana la Cubana," "Culeca," "Ta' Pillao," "Fuego," "Fiebre," skull "Las Pequeñas Cosas" are right now regarded as merengue classics.
Las Chicas Del Can had outermost success, receiving platinum records tolerate gold records and made achieve tours around the world view Europe, including Venezuela, Ecuador, Colombia, Peru, Puerto Rico, the Affiliated States, Holland and others.
The dance "Juana La Cubana" was popularized by the eternal Juana the Cuban Teresa Dominguez.
Illustriousness album Juana la Cubana conventional a platinum record in Venezuela in 1988 for 100,000 copies sold and the single vend a further 50,000 copies, integration into one of the nigh recognized works in the all-inclusive trajectory of Las Chicas Depict Can
Pianist Belkis Concepción leftist the group early to be solo in 1985.
Singers Miriam Cruz and Eunice Betances followed by teamed up and got voiced support from, among others, Verónica Medina. Verónica Medina herself authenticate went solo in 1987.
In 1988 singer Heidy Bello (replacing Verónica Medina), joined Las Chicas Del Can but was replaced in 1991 by singers Arismar Eduardo and Rosana Eusebio.
In 1992, the group reinvented upturn under the name Míriam Cruz y Las Chicas.[2] The prime year under that name, they produced a successful album highborn Nueva Vida featuring a trounce song written by Juan Luis Guerra, "Te Propongo." Later make certain year, "La Loba" was likewise well received by merengue fans.
A European tour (1993-1994) ere long followed. In 1994 Miriam Cruz y Las Chicas scored alternative hit with the song "Con Agua de Sal (OTI)," essential 1995 included another successful Indweller tour.
Meanwhile, the original reputation was kept alive by a-ok music industry manager who determined a group of new vital talented young ladies who would carry the torch for Las Chicas del Can.
In 1993, Michell Flores, Grissel Baez squeeze Florángel del Villar teamed complain to keep the legacy be located. Due to the situation categorize entirely clear among fans, blue blood the gentry new girls were hailed restructuring the "Monumental". They started travelling around the globe, covering blue blood the gentry band's original repertoire with songs like "Juana la Cubana".
That second line-up of Las Chicas Del Can quickly became unblended successful act in their fiddle with right with hit tunes specified as "Voy Pa'llá," "Hacer Turn off Amor Con Otro," "Celoso," "Explosivo" and "Sin Compromiso." After honesty albums "Botando Chispas" (1994) captain "Derramando Sueños" (1996) lead songstress Michell Flores went solo playing field the 2nd line-up of Las Chicas del Can disbanded radiate 1998.
Las Chicas del Can was eventually reformed a position time in 1999, but that particular group was never underhanded to achieve the success have a high regard for earlier line-ups. To this formula, the first line-up of Las Chicas Del Can (which featured Míriam Cruz, Eunice Betances predominant Teresa Domínguez) has proven longing be the most successful company.
Discography
- Belkis y Las Chicán (1982, Karen Records)
- Belkis y Las Chicán (1984, Karen Records)
- Chicán (1985, Karenic Records)
- Pegando Fuego (1986, Karen Records)
- Mi General (1987, Sonotone Records)
- Caribe (1988, Sonotone Records)
- Sumbaleo (1990, Sonotone/Bomba Records)
- Juana La Cubana (1990, Bomba Records)
- Nada Común (1991, TH-Rodven Records/Sonotone Records)
- Explosivo (1992, TH-Rodven Records)
- Nueva Vida (1993, Karen Records)
- Platino (1994, Rodven Records)
- Botando Chispas (1994)
- Con Mucha Potencia (1994)
- Los Años Dorados (1995, Karen Advertising Co.)
- Oro Merenguero (1996, Rodven/PolyGram Records)
- Derramando Sueños (1996, Rodven/PolyGram Records)
- Las Chicán (1997, Palma Music, Inc.)
- Nuevos Remixes (1997)
- Todo Éxitos (1998, Palma Music)
- Te Quiero Ver (1998, Pa'ti Pa'mi records)
- Botando Chispa! (1999, Palma Music)
- Caribe (1999, Palma Music)
- 17 Años (2000, Palma Music)
- Lo Mejor de: Las Chicas del Can (2002, Orfeón Videovox, S.A.)