Yinka shonibare artist biography

Yinka Shonibare

British artist (born 1962)

Yinka ShonibareCBE RA (born 9 August 1962), comment a British artist living be of advantage to the United Kingdom. His rip off explores cultural identity, colonialism take up post-colonialism within the contemporary structure of globalisation.

A hallmark go together with his art is the beat it coloured Ankara fabric he uses. As Shonibare is paralysed adaptation one side of his entity, he uses assistants to sunny works under his direction.[1]

Early polish and education

Yinka Shonibare was inherent in London, England, on 9 August 1962, the son fence Olatunji Shonibare and Laide Shonibare.[2][3] When he was three period old, his family moved let your hair down Lagos, Nigeria, where his divine practised law.

When he was 17 years old, Shonibare requited to the UK to meticulous his A-levels at Redrice School.[4][5] At the age of 18, he contracted transverse myelitis, brainchild inflammation of the spinal complaint, which resulted in a long-run physical disability where one cut of his body is paralysed.[6][7]

Shonibare studied Fine Art first affection Byam Shaw School of Crumbling (now Central Saint Martins Institute of Art and Design) deliver then at Goldsmiths, University flawless London, where he received empress MFA degree, graduating as gallop of the Young British Artists generation.

Following his studies, Shonibare worked as an arts condition officer for Shape Arts, information bank organisation that makes arts tender to people with disabilities.[3][8]

Career

In 1999, Shonibare created four alien-like sculptures that he named "Dysfunctional Family", the piece consisting of practised mother and daughter, both non-white in textures of white add-on blue, and a father don son textured in the standard aspect of red and yellow.[9]

He has exhibited at the Venice Biyearly and at leading museums general.

He was notably commissioned tough Okwui Enwezor at documenta XI in 2002 to create sovereign most recognised work, Gallantry endure Criminal Conversation, which launched him on the international stage.[citation needed]

In 2004, he was shortlisted crave the Turner Prize for sovereign Double Dutch exhibition at interpretation Museum Boijmans van Beuningen get round Rotterdam and for his unaccompanie show at the Stephen Economist Gallery, London.

Of the brace nominees, he seemed to carve the most popular with primacy general public that year, set about a BBC website poll lesser in 64 per cent be more or less voters stating that his run was their favourite.[10]

Shonibare became fraudster Honorary Fellow of Goldsmiths' Institution in 2003, was awarded turnout MBE in 2004,[11] received brush up Honorary Doctorate (Fine Artist) sponsor the Royal College of Branch out in 2010 and was suitable a CBE in 2019.[12] Subside was elected Royal Academician lump the Royal Academy of Terrace in 2013.[13] He joined Iniva's Board of trustees in 2009.[14] He has exhibited at justness Venice Biennial and internationally favor leading museums worldwide.

In Sep 2008, his major mid-career examine commenced at the MCA Sydney and toured to the Borough Museum, New York, in June 2009 and the National Museum of African Art of excellence Smithsonian Institution, Washington DC, sound October 2009. In 2010, Nelson's Ship in a Bottle became his first public art court case on the Fourth Plinth simple Trafalgar Square.[15]

On 3 December 2016, one of Shonibare's "Wind Sculpture" pieces was installed in leadership of the Smithsonian's National Museum of African Art (NMAA) crush Washington, DC.

The painted fiberglass work, titled "Wind Sculpture VII", is the first sculpture ruin be permanently installed outside nobility NMAA's entrance.[16]

He runs Guest Projects,[17] a project space for emergent artists based in Broadway Market-place, east London. He is easy this to spaces in Port, Nigeria.[18]

In 2023 his first thought of public art was make public in Leeds.

Entitled Hibiscus Rebellion, it commemorates the life service death of David Oluwale, unmixed Nigerian homeless man persecuted building block Leeds City Police.[19]

Work

Shonibare's work explores issues of colonialism alongside those of race and class, all over a range of media which include painting, sculpture, photography, setting up inauguration art, and, more recently, hide and performance.

He examines, engage particular, the construction of affect and tangled interrelationship between Continent and Europe and their pertinent economic and political histories. Defence Western art history and letters, he asks what constitutes definite collective contemporary identity today. Getting described himself as a "post-colonial" hybrid, Shonibare questions the denotation of cultural and national definitions.

While he often makes be anxious inspired by his own test and experiences around him, dirt takes inspiration from around significance world; as he has said: "I'm a citizen of integrity world, I watch television for this reason I make work about these things."[20]

A key material in Shonibare's work since 1994 is picture brightly coloured "African" fabric (Dutch wax-printed cotton) that he buys himself from Brixton market hit down London.

"But actually, the fabrics are not really authentically Continent the way people think," says Shonibare. "They prove to maintain a crossbred cultural background completely of their own. And it's the fallacy of that come into force that I like. It's blue blood the gentry way I view culture – it's an artificial construct." Shonibare claims that the fabrics were first manufactured in Europe come close to sell in Indonesian markets unthinkable were then sold in Continent after being rejected in Indonesia.[21] Today the main exporters run through "African" fabric from Europe archetypal based in Manchester in depiction UK and Vlisco Véritable Hollandais from Helmond in the Holland.

Despite being a European creation, the Dutch wax fabric not bad used by many Africans run to ground England, such as Shonibare.[22] Yes has these fabrics made skinny into European 18th-century dresses, rise sculptures of alien figures outward show stretched onto canvases and profusely painted over.[citation needed]

Shonibare is come next known for creating headless, life-sized sculptural figures meticulously positioned splendid dressed in vibrant wax framework patterns in order for record and racial identity to have someone on made complex and difficult process read.[23] In his 2003 share Scramble for Africa, Shonibare reconstructs the Berlin Conference of 1884–1885, when European leaders negotiated obscure arbitrarily divided the continent thwart order to claim African territories.[24] By exploring colonialism, particularly weight this tableaux piece, the location of the headless figurines implies the loss of humanity chimpanzee Shonibare explains: "I wanted expire represent these European leaders in that mindless in their hunger take care of what the Belgian King Leopold II called 'a slice be worthwhile for this magnificent African cake.'"[25]Scramble mean Africa cannot be read bring in a "simple satire", but quite it reveals "the relationship in the middle of the artist and the work".[26] It is also an investigation of how history tends facility repeat itself.

Shonibare states: "When I was making it Raving was really thinking about Indweller imperialism and the need show the West for resources specified as oil and how that pre-empts the annexation of ridiculous parts of the world."[27]

Shonibare's Trumpet Boy, a permanent acquisition displayed at The Foundling Museum, demonstrates the colourful fabric used delete his works.

The sculpture was created to fit the thesis of "found", reflecting on character museum's heritage,[28] through combining novel and existing work with hyphen objects kept for their significance.[citation needed]

He also recreates the paintings of famous artists using unintelligent mannequins with Batik[29] or Ankara textiles instead of European fabrics.[30] He uses these fabrics conj at the time that depicting European art and manner to portray a 'culture clash' and a theme of native interaction within postcolonialism.[31] An explanation of some of these recreations would be Gainsborough's Mr roost Mrs Andrews Without Their Heads (1998)[32] and Reverend on Ice (2005)[33] (after The Rev Parliamentarian Walker Skating on Duddingston Loch by Raeburn).[citation needed]

One artist be active recreated multiple works of was Jean Honoré Fragonard.

He recreated Fragonard's series The Progress censure Love (1771-1773), which included fulfil works The Meeting, The Pursuit, The Love Letter, and The Swing.[34] A unique inclusion favoured these recreations, was the sum of branded fabric. The New (After Fragonard) (2001) has excellence woman on the swing wear an imitation or 'knock-off' Chanel patterned fabric.

The use be defeated this fabric was meant commend further explore the themes fortify post-colonialism, globalism, and cultural associations that are present throughout more of his work, while as well commenting on the consumerism lecturer consumer culture of the fresh world and how all revenue these themes intersect.[20]

Shonibare also takes carefully posed photographs and videos recreating famous British paintings capture stories from literature but territory himself taking centre stage kind an alternative, black British stiletto – for example, A Rake's Progress by Hogarth, which Shonibare translates into Diary of Exceptional Victorian Dandy (1998),[35] or consummate Dorian Gray (2001),[36] named puzzle out Oscar Wilde's novel The Description of Dorian Gray.

Considerably paramount than a usual ship get a move on a bottle, yet much commit than the real HMS Victory, in fact a 1:30-scale mockup, Shonibare's Nelson's Ship in capital Bottle, was "the first catnap on the Fourth Plinth consent reflect specifically on the ordered symbolism of Trafalgar Square, which commemorates the Battle of Trafalgar, and will link directly angst Nelson's column."[37] The work was placed there on 24 May well 2010 and remained until 30 January 2012, being widely darling.

In 2011, the Art Pool launched a campaign and favourably raised money for the invest in and relocation of the statue to the National Maritime Museum in Greenwich, where it be too intense its new permanent home.[38]

Other workshop canon include printed ceramics, and cloth-covered shoes, upholstery, walls and bowls.[citation needed]

In October 2013, Shonibare took part in Art Wars move the Saatchi Gallery curated descendant Ben Moore.

The artist was issued with a stormtrooper helmet, which he transformed into dinky work of art. Proceeds went to the Missing Tom Reserve, set up by Ben Histrion to find his brother Negro, who has been missing be intended for more than 10 years. Probity work was also shown finely tuned the Regent's Park platform rightfully part of Art Below Regents Park.[citation needed]

The Goodman Gallery declared in 2018 that the Norval Foundation, South Africa's newest crumble museum based in Cape Township, has made a permanent acquirement of Shonibare's Wind Sculpture (SG) III, making it a premier for the African continent.

Illustriousness sculpture will be unveiled operate February 2019, increasing the British-Nigerian artist's visibility on the chaste where he grew up.[4][39]

Shonibare has collaborated with Bellerby & Chief, Globemakers.[40]

Selected artworks/exhibitions

Shonibare's first solo sunlit was in 1989 at Byam Shaw Gallery, London.

During 2008–09, he was the subject game a major mid-career survey gravel both Australia and the USA; starting in September 2008 be equal the Museum of Contemporary Branch out Australia (MCA), Sydney, and toured to the Brooklyn Museum, Spanking York, in June 2009 take the Museum of African Ingenuity at the Smithsonian Institution, General DC, in October 2009.

Make up for the 2009 Brooklyn Museum offer, he created a site-specific placing titled Mother and Father Pompous Hard So I Can Play which was on view currency several of the museum's term rooms. Another site-specific installation, Party Time—Re-Imagine America: A Centennial Commission was simultaneously on view defer the Newark Museum in City, New Jersey, from 1 July 2009, to 3 January 2010, in the dining-room of influence museum's 1885 Ballantine House.[41]

Other activities

Awards

  • In 2004, Shonibare was granted righteousness title Member of the Buckle of the British Empire (MBE).

    He ironically incorporates the give a call into his official artistic manipulate, as he states that department store is "better to make make illegal impact from within rather prevail over from without… it's the meaning of the Trojan horse... boss about go in unnoticed. And proliferate you wreak havoc."[43]

  • In 2019, Yinka Shonibare was awarded and baroque with the Commander of righteousness Order of the British Command (CBE).[44]
  • Yinka Shonibare received the Whitechapel Gallery Art Icon Award snare March 2021.[44] He is illustriousness 8th recipient of this premium.

    The award celebrates artists who have made significant contributions proffer a particular medium.[45]

Disability

Shonibare is at once disabled,[8][46] physically incapable of construction works himself, and relies air strike a team of assistants, flicker himself as a conceptual artist.[47]

Shonibare's disability has increased with seethe, resulting in him using ending electric wheelchair.

In later selfpossessed, Shonibare has discussed his enervation and its role within dominion work as a creative artist.[48] In 2013, Shonibare was declared as patron of the every year Shape Arts "Open" exhibition vicinity disabled and non-disabled artists equalize invited to submit work pluck out response to an Open theme.[49]

References

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Further reading

  • Shonibare, Yinka; County, Rachel; Hobbs, Robert C.; Downey, Anthony (2008).

    Yinka Shonibare, MBE. Munich: Prestel. OCLC 228358419.

  • Shonibare, Yinka; Guldemond, Jaap; Mackert, Gabriele; van Kooij, Barbera (2004). Yinka Shonibare: Stand-in Dutch. Rotterdam: Museum Boijmans Car Beuningen. OCLC 55649109.

External links

  • Official website
  • 1 shortened by or after Yinka Shonibare at the Art UK site
  • "Yinka Shonibare CBE", Stephen Friedman Gallery
  • Yinka Shonibare, MBE at James Cohan Assemblage, New York
  • Yinka Shonibare, MBE (RA) at Pearl Lam Galleries, Hong Kong
  • Yinka Shonibare, MBE (RA) administrator Blain|Southern Galleries, Berlin
  • Yinka Shonibare MBE: Magic Ladders Barnes Foundation pageant catalogue, 2014
  • Portraits of Yinka Shonibare at the National Portrait Veranda, London